Berlin-based painter Sebastian Maas challenges expectation, perception and identity in his figurative tableaus and portraiture. Collage-like, his paintings merge the art canonical with the trappings of the modern world. Meanwhile, reconstituted faces (with software via which he merges in his own face) stare questioning or are blotted out Baldessari-like; left expressionless.

Romeo, 2022


  • Description: Oil on Tarpaulin
  • Dimensions: 130 × 120 cm
  • $7,080

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